Team
Gabriel Stelian-Shanks
ARTISTIC DIRECTOR
Gabriel Stelian-Shanks (he/him) is in his 25th season at the Drama League. A director, writer and producer, Gabriel has over sixty theater, film, and television productions across the United States and Europe. One of the directors of Peculiar Works Project’s The Village Fragments (OBIE Award), his productions have been seen in New York, Seattle, D.C., Baltimore, Atlanta, Philadelphia, Chicago, Vienna, Sofia, Bucharest, and Budapest, among others. Most recently, he directed How to Mourn An American for Little Island in New York City. An alumnus of the Orchard Project, nominee for Best Director at the Madrid International Film Festival, and recipient of the Theater Project Honor for Outstanding Vision, he has been recognized for his arts leadership by the D.C. Commission on the Arts and Humanities, and the Arnoult/Coigney Award for International Theatre. Proud member SDC. His films are available for streaming on Amazon and other platforms; he is in post-production on his latest film, Intre.
Bevin Ross
EXECUTIVE DIRECTOR
Bevin Ross (she/her) is a seasoned arts administrator and nonprofit leader with 18 years of experience advancing New York City’s cultural and performing arts institutions. As Executive Director of The Drama League of New York, she oversees finance, development, operations, and strategic growth, with a focus on inclusion, accessibility, and sustainability in the arts. She brings deep expertise in fundraising, organizational development, and cultural policy. At the New York Academy of Sciences, she led multimillion-dollar campaigns and donor engagement for the globally renowned S.T.E.M. institution. At PS122 (Performance Space New York), she contributed to a $40 million capital campaign to renovate its East Village home. Earlier, she directed fundraising for acclaimed PBS programs at WNET/Channel Thirteen, including Women, War & Peace, produced by Abigail Disney. Bevin holds a Master’s in Arts Administration and Policy from the School of the Art Institute of Chicago and a dual B.A. in Theater and Spanish from Washington University in St. Louis. She is deeply committed to supporting living artists through visionary leadership, advocacy, and innovation.
Helen O’Rourke
DIRECTOR OF DEVELOPMENT
Helen O’Rourke (she/her) is a fundraiser, writer, and administrator with more than 10 years of experience working in nonprofit, corporate, and professional theater environments. A lifelong theater lover, she joined The Drama League in January of 2020 after five years in the Development department of the New York Academy of Sciences. In addition to fundraising, she is also an experienced content creator and proofreader. Helen has a Bachelor of Arts in Theatre Arts and Music from Drew University and a Master of Arts in Arts Administration from Baruch College.
Patrick Anthony Surillo
ASSOCIATE DIRECTOR, ARTIST PROGRAMS
Patrick Anthony Surillo (he/him+) is a Nuyorican producer, production manager, and arts leader born and raised in Brooklyn. At The Drama League, he leverages a robust background in line production, stage management, and logistics to steward residencies, fellowships, and more. Through his company Surillo Productions and previous leadership roles at The New School and LaGuardia Performing Arts Center, Patrick has rooted his career in a deep commitment to artist care and mentorship. Patrick holds a Master’s in Arts Management and Entrepreneurship from The New School College of the Performing Arts.
Alisha Espinosa
INTERIM ASSOCIATE DIRECTOR
Alisha Espinosa (she/her)Â is a Boricua, multi-hyphenate theatermaker. In addition to working as an actor, playwright, and teaching artist, Alisha is an arts administrator at Latinx Playwrights Circle (Producing Artistic Director) and WP Theater (Marketing Director). More about her work can be found on her website alishaespinosa.com.
Malaikia Sims-Winfrey
ARTISTIC ASSOCIATE, ARTIST SERVICES
Malaikia “Lake” Sims-Winfrey (she/her+) is the Artistic Assistant for The Drama League. She is a theatre artist from Atlanta, GA and graduate of Elon University where she double majored in Theatre Studies and Music in the Liberal Arts. With a background in arts administration and education, she moved to New York and previously served as the Education Apprentice at New York City Center. As a multifaceted artist with interests in musical theatre and activism, Lake also spends her time as a freelance director and producer, supporting work that centers accessibility and social change.
Bernadette Norman
DEVELOPMENT MANAGER
Bernadette Norman (she/her) is thrilled to be working at The Drama League. She has loved the performing arts from a young age and grew up playing the piano, dancing, and avidly watching movie musicals. She attended Mount Holyoke College, graduating with a degree in language studies, and then moved to New York City to work at TransPerfect, but her love for the performing arts inspired her to change careers. During the 2021/22 theater season, she was accepted into New York Theatre Workshop’s 2050 Administrative Fellowship as the Development Fellow, which confirmed this is where she wants to be. In addition to seeing a ton of shows and concerts, her other interests include traveling, sci-fi/fantasy, and ultimate Frisbee.
Maralyn Quiñones-Stead
ARTISTIC COORDINATOR
Maralyn Quiñones-Stead (she/her) is a director and arts leader whose practice advances collaborative, inclusive frameworks that strengthen the relationship between artists and audiences. Her work focuses on supporting emerging and underrepresented voices while developing artist-centered programming that prioritizes rigor, innovation, and sustained creative inquiry. She is committed to cultivating environments in which artistic experimentation is both structured and supported, enabling work that is responsive, relevant, and resonant. Her directorial work includes Ignacio and Maria (U.S. Premiere), in which she engages questions of identity, intimacy, and narrative reimagination through a contemporary lens. ñ
Mike Teele
OFFICE MANAGER
Mike Teele (he/him) began his career many, many moons ago as Development Director at Ford’s Theatre after graduating from American University in Washington DC. Upon moving to NYC, he was first Managing Director at Musical Theater Works, then at Ensemble Studio Theater, and then, Founder and Managing Director of CAP21. Changing course, he spent a couple of decades in advertising, 15 years as Business Operations Director for Big Arrow Group, a boutique agency specializing in communications for patients and caregivers battling rare diseases. Prior to joining The Drama League, Mike was a business management and operations consultant for Pilobolus, Queer Art Inc, Little Orchestra Society, Charlie Guidance Productions, and others.
Molly Feldman
ASSISTANT TO THE ARTISTIC DIRECTOR
Molly Feldman (she/her) has focused her career on the intersection of creative vision and operational logistics, supporting complex organizational management. She holds a Bachelor of Science in Communication Management and Design from Ithaca College. Beyond her professional work, Molly has directed fundraising campaigns for mental health advocacy and volunteers with local athletic and performing arts organizations, driven by a deep commitment to accessibility.
Board of Directors
The Drama League Board of Directors, composed of industry professionals, cultural philanthropists, and arts advocates, represent the highest echelon of volunteer service to the mission of The Drama League. Offering invaluable skills, counsel, support, connections and strategic thinking, the Board Members serve as ambassadors for the artists and programs. Meeting regularly and participating in the life of the organization, they are part of a vital tradition and lineage of leadership since the founding in 1916.
President
BONNIE COMLEY
Executive DirectorÂ
BEVIN ROSS
Artistic Director
GABRIEL STELIAN-SHANKS
Vice Presidents
KUMIKO YOSHII
SARAH HUTTON
MARY JAIN
DARIN ODUYOYE
Secretary
IRENE GANDY
Treasurer
TRISH CHAMBERS
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Board Members
ELENA ARAOZ
SYDNEY BEERS
ESTEFANĂŤA FADUL
DANA HARREL
UNA JACKMAN
JENNIFER JOHNSON-BLALOCK
PAULA KAMINSKY DAVIS
ANNE KAUFFMAN
GWYNN MACDONALD
MICHELLE MARTELLO
ARTHUR POBER
FREDERIC J. SIEGEL
PANNEY WEI
Directors Council
Alumni
Since 1982, The Drama League has supported directors’ careers. Our fellowships and residencies have developed numerous artists, many of whom are now Artistic Directors, working on Broadway, or otherwise leading the field. Click below the list of artists who have passed through our doors.
In Memoriam
NILAN
The Drama League’s Associate Artistic Director, Nilan, passed away on January 4, 2026, due to a sudden illness involving complications from the flu. The Board of Directors, Staff, and Artists are heartbroken by this great loss. Nilan is survived by his mother, Melle Johnson, and his sister, Malease Johnson.Â
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“The sadness and shock, for all of us who called Nilan friend and hero, is beyond measure,” said Artistic Director Gabriel Stelian-Shanks. “I cannot find the words to accurately capture the immense scale of loss, to those of us who loved him, and to the American arts community. It is incalculable. The depth of Nilan’s artistry, leadership, and wisdom has forever changed the lives of thousands of artists who worked with him, students who learned from him, and those of us lucky enough to have shared life with him. I will honor his memory every day by remembering his kindness, his generous laughter, and his drive for all of us to be rigorous in our pursuit of excellence.”
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Nilan (he/him+) was an award-winning writer, director, actor, producer, educator, and arts leader whose work centered on intersectionality, queer life, and the multiplicity of human experience. For the last nine years, he was the Associate Artistic Director of The Drama League of New York and was the co-founder of the acclaimed producing company A Certain Something. As a writer, Nilan’s work includes the plays Heaven, Hell, Or Carolina, A Rock and a Hard Place, FOLKtales: Stories of the Black Diaspora, Endangered Species, Our Precedent, Willie Richard Johnson, We Like To Party, the teleplay The Alphabets, and adaptations of August Strindberg’s Miss Julie and Henrik Ibsen’s An Enemy of the People. His play Shadow in the Corner was published in the third volume of Harlem 9’s OBIE Award-winning 48 Hours In Harlem anthology. He co-authored the play And Then I Woke (A Vicarious Cataclysmic Event) with Cherrye J. Davis and Gabriel Stelian-Shanks, the
television pilot, Renaissance with Travis LaMont Ballenger, and The Recipe with Gabriel Stelian-Shanks. Nilan co-wrote and starred in the series Extra Room and the short film Popsicles, as well as the streaming PSA campaign Consent Is Sexy. He was a 2025 recipient of Life Jacket Theatre Company’s Writer’s Room, a development accelerator for LGBTQ+ playwrights, and was part of the Center For International Theatre Development’s 2025 delegation to Poland.
As a performer, Nilan’s work was seen internationally at venues and festivals including PlayMakers Repertory Theatre, National Black Theatre, Bay Area Playwrights Festival, Harlem International Film Festival, Madrid International Film Festival, Miami International Film Festival, Edinburgh Festival Fringe, The Orchard Project, Downtown Art, Bedlam MadLab, Redfern Theatre, New York Shakespeare Exchange, Playback Berlin, Recklinghausen Ruhr Festival, Pridefest, and others. He was a proud member of Actors’ Equity Association, SAG-AFTRA, and the Black Theatre Network. As an educator, his many enduring contributions include the production of seventeen short films for The Drama League’s New Visions/New Voices
initiative, and supported professional directors at The Drama League as line producer of its educational workshops in television and film directing, its International Directors Summits, and its Directors Project Retreat, where he often did double-duty as an actor and mentor. During the COVID-19 pandemic, Nilan co-produced and co-hosted The Drama League’s TA(L)KING DIRECTION podcast (Spotify/Apple). He also recently taught for the Lucille Lortel Theatre.
Nilan earned a B.A. from California State University, San Bernardino, and an M.F.A. in Acting from the University of North Carolina at Chapel Hill. Through his artistry, leadership, and mentorship, Nilan left an enduring impact on contemporary theater and media, championing voices and stories too often left at the margins, and creating work that was both deeply human and boldly transformative. He will be deeply missed by all those who were lucky enough to know him.
