Artistic Line Producer

Ali Skye Bennet

Ali Skye Bennet (she/her) is thrilled to be working with The Drama League as part of the Artistic team, where she strives to continue creating a lasting, industry-wide impact on the next generation of artists and audiences. Ali has provided artistic and producorial support to the development of countless new plays & musicals, and helped bring to life world premieres by some of the most renowned artists in our field, including Paula Vogel, Branden Jacobs-Jenkins, Michael Mayer, Liesl Tommy, John Kander, and Susan Stroman, to name just a few. She has collaborated with Vineyard Theatre, Transport Group, Labyrinth Theatre Company, Elevator Repair Service, Developing Artists, PuppetCinema, CompassNeedle, and many more. In addition to being a creative producer, Ali is a playwright, photographer, and avid traveler, documenting her adventures through her photos and journals. Proud TCG member and CTI alum. Learn more at

Artistic Coordinator

Andrew Coopman

Andrew Coopman is a director, choreographer, and playwright of Middle Eastern descent. A Drama League FutureNow Fellowship alumnus, they are one of only three Directors Project alumni in history to be on staff at The Drama League. Andrew’s work as a director and choreographer has been seen on stages in Chicago, Dallas, Milwaukee, Ithaca, New York City, and throughout the Pacific Northwest. Credits include: The Apollo of Bellac (Hangar Theatre), Head Over Heels (Lakewood Playhouse), Bryony Lavery’s Frozen: A Play (Cabaret Theater), Little Women (Seattle Musical Theater), Cinderella (Village Theatre), and Orfeo y Euridice (Seattle Opera). Their original work,THE TAROT CARD PLAY premiered at Strawdog Theatre Company in Chicago. Other new work includes …and then the lightning struck and TREESON: A New Eco-Musical are in the works for a premier in 2023. They are a graduate of the University of  Washington’s School of Drama Masters in Fine Arts in Directing program and New York University – Steinhardt’s Masters of Arts in Educational Theatre program. Proud SDC and AGMA member.

Development Coordinator

Bernadette Norman

Bernadette (she/her) is thrilled to be working at The Drama League. She has loved the performing arts from a young age and grew up playing the piano, dancing, and avidly watching movie musicals. She attended Mount Holyoke College, graduating with a degree in language studies, and then moved to New York City to work at TransPerfect, but her love for the performing arts inspired her to change careers. During the 2021/22 theater season, she was accepted into New York Theatre Workshop’s 2050 Administrative Fellowship as the Development Fellow, which confirmed this is where she wants to be. In addition to seeing a ton of shows and concerts, her other interests include traveling, sci-fi/fantasy, and ultimate Frisbee.

Executive Director

Bevin Ross

Bevin Ross is an arts administrator with a background in fundraising, policy, capacity building and business management who has worked in nonprofit arts and culture organizations in New York City for over 15 years. With a deep love for the performing arts, she is committed to supporting the work of living artists. Bevin has served in a senior leadership capacity directing development for the New York Academy of Sciences, an over 200-year-old internationally renowned S.T.E.M. membership organization; led Performance Space 122’s (renamed Performance Space New York) fundraising campaign to transform the organization’s East Village home through a $35 million renovation of their East Village performance venue; and spearheaded fundraising for several high profile PBS programs produced by WNET/Channel Thirteen including Abigail Disney’s Women, War and Peace. Bevin Ross holds a Masters in Arts Administration and Policy from the School of the Art Institute of Chicago and a dual Bachelor of Arts in Theater and Spanish from Washington University in St. Louis.

Artistic Director Gabriel Stelian-Shanks

Artistic Director

Gabriel Stelian-Shanks

Gabriel Stelian-Shanks is the Artistic Director of The Drama League of New York, now in his 21st season, and a founder of the production company A Certain Something. He has directed over sixty theater, film, and television projects across the United States and Europe, and is the author of eighteen plays, two screenplays, and a television series.  One of the directors of Peculiar Works Project’s The Village Fragments (OBIE Award), his productions have been seen in New York, Seattle, Washington DC, Baltimore, Atlanta, Philadelphia, Chicago, Vienna, Sofia, Bucharest, and Budapest, among others. Most recently, he directed How To Mourn An American as part of the performance series on Little Island in New York City. An alumnus of the Orchard Project, nominee for Best Director at both the Madrid International Film Festival and the Love and Hope International Film Festival, and recipient of the Theatre Project Honor for Outstanding Vision, he has been recognized for his arts leadership by the D.C. Commission on the Arts and Humanities. His films and television projects include The Least Untrue, Extra Room, One More Thing, Covered, and The Damnable Deprivation of Dimitri. Proud member SDC, IFP.

Associate Development Director

Helen O'Rourke

Helen O’Rourke is a fundraiser, writer, and administrator with more than 10 years of experience working in nonprofit, corporate, and professional theater environments. A lifelong theater lover, she joined The Drama League in January of 2020 after five years in the Development department of the New York Academy of Sciences. In addition to fundraising, she is also an experienced content creator and has worked for Premier Legal Marketing since 2012. Helen has a Bachelor of Arts in Theatre Arts and Music from Drew University, and she will receive her Master of Arts in Arts Administration from Baruch College in fall 2024.

Development Intern

Jess Ventura

Jess (she/her+) is an arts administrator from Middletown, New Jersey, based in NYC. She graduated from Villanova University in 2020, with a B.A degree in Public Relations, Advertising, and Applied Communication. In addition to her work with the Drama League, Jess is a graduate student at NYU Steinhardt pursuing an M.A. in Performing Arts Administration. Her most recent experience includes working in company management at Bespoke Theatricals and serving as the Graduate Assistant for NYU’s Music and Performing Arts Department.

Artistic Intern

Malaikia (Lake) Sims-Winfrey

Lake (she/her+) is a theatre artist from East Atlanta, Georgia, based in NYC. She graduated from Elon University in 2021, with two B.A degrees in Drama & Theatre Studies and Music in the Liberal Arts. In addition to her work with the Drama League, Lake does work in theatre education, most recently with New York City Center, as well as the Heritage High School Academy for Performing and Visual Arts. Lake is also an upcoming director and dramaturge. Her most recent directorial work includes being A.D for a production of Hair with Rooftop Musical Society.

Engagement Coordinator

Max Raymond

Max Raymond (he/him) is a multidisciplinary theatre artist who grew up in North Carolina and Texas. He worked alongside Directors Project alum Patrick Torres as the first Assistant to the Artistic Director at Raleigh Little Theatre and is a Co-Founding Artistic Director of Star Pocket Theatre Company, which produced Mashallah: Exploring Middle Eastern Identities in America and The Member of the Wedding, in which he played Frankie. He is an ensemble member of the Social Justice Improv Project, a Literary Advisory Council member of The PlayGround Experiment, and a member of Primary Stages’ Echoes Writers Group 2022-2023. Original plays include Citrus Blues and Everyone Dies at the End, Shoulderpalm: A Musical Masculinity Fantasia, and Hackles. He has directed for the North Carolina Women’s Theatre Festival, North Carolina State University, Burning Coal Theatre Company, and Chautauqua Theater Company, and has worked in Artistic Administration for Chautauqua, Triad Stage, and Broadway Licensing. His extensive nonprofit involvement includes work with 826DC, India’s Sehgal Foundation, and the New York Neo-Futurists. Max also works as a freelance trans literacy educator and gender consultant.

Office Manager

Mike Teele

Mike Teele began his career many, many moons ago as Development Director at Ford’s Theatre after graduating from American University in Washington DC. Upon moving to NYC, he was first Managing Director at Musical Theater Works, then at Ensemble Studio Theater, and then, Founder and Managing Director of CAP21. Changing course, he spent a couple of decades in advertising, 15 years as Business Operations Director for Big Arrow Group, a boutique agency specializing in communications for patients and caregivers battling rare diseases. Prior to joining The Drama League in 2021, Mike was a business management and operations consultant for Pilobolus, Queer Art Inc, Little Orchestra Society, Charlie Guidance Productions, and others.

Associate Artistic Director Nilan's headshot

Associate Artistic Director


Bio coming soon.

Membership Manager

Olivia Ragan

Olivia Ragan (she/her/hers) is the Membership Manager at The Drama League and is a graduate of Marymount Manhattan College, where she majored in Theater Arts with concentrations in Musical Theater and Directing. She has always had a love for live theater, and began working with The Drama League as the Artistic Intern in 2018. In 2020 she joined full time as the Development Associate, combining her background in administration and customer service with her experience as a freelance director and stage manager.  Since joining the staff full time, Olivia has become the Membership Manager where she continues to invest in her love for theater and theater-makers.

Board of Directors


Vice Presidents
Artistic Director

Executive Director



Directors Council

The Drama League Directors Council was formed as a way to further embed artists in the decision-making process of our organization, establish peer-to-peer mentorship for Fellowship recipients, and have the nation’s leading directors guide programming as we expand our mission to support directors and lead in re-emergence strategies for Broadway and the American theater industry.


Since 1984, The Drama League has supported directors’ careers. Our fellowships and residencies have developed numerous artists, many of whom are now Artistic Directors, working on Broadway, or otherwise leading the field. Click below the list of artists who have passed through our doors.

Employment Opportunities

The Drama League has no employment opportunities available at this time. Please check back in the future.

Intern Opportunities

Internship applications are not currently being accepted. Please check back in the future.