The Drama League Directors Project
Stage Directing Fellowships
A Partnership with Berkeley Repertory Theatre, Lincoln Center Theater, Manhattan Theatre Club,  New York Stage and Film, The Playwrights’ Center, Red Bull Theater, and Carnegie Mellon University
2028 Application Opens September 2027
APPLICATION PORTAL
F.A.Q. PAGE
OTHER PROGRAMS
Bill Irwin, Thomas Middleditch, Amber Gray, Jessica Hecht, and Chelsea Yakura-Kurtz in Broadway's EUREKA DAY at Manhattan Theatre Club, the 2025 Tony Award winner for Best Revival of a Play. Drama League Stage Directing Fellow Zoë Adams served as Assistant Director as part of her Fellowship. Photo: Jeremy Daniel

TIMELINE

Each of the two Stage Directing Fellows follows a different timeline through the two-year program, as outlined below. The Drama League and its partner theater institutions determine the track selected for each recipient.
  • DATES: Mid-May. Approximately five days, in person, schedule TBD by The Drama League
  • DESCRIPTION: All Fellows begin with an intensive accelerator week of workshops, performances, learning opportunities, and private meetings with prominent artistic leaders, producers, directors, playwrights and other professionals. This culminates in attending The Drama League Awards, where the entire Directors Project cohort is formally introduced to the industry.
  • TRAVEL/HOUSING: One round-trip economy airfare, train, or bus fare (depending on distance) to/from is provided by The Drama League from any U.S. Continental city, if the Recipient lives more than 25 miles from New York City. Baggage fees, airport transfers, and in-city transportation are not provided. Housing provided for directors living more than 25 miles outside of the NYC metropolitan area. Travel arrangements are managed by The Drama League.
  • DATES: Early June. Approximately five days, in person, schedule TBD by The Drama League
  • DESCRIPTION: The recipient joins other Directing Fellows, professional actors, and acclaimed director/mentors in Pittsburgh for a technique-focused directing intensive, in residence at Carnegie Mellon University. As the Directing Fellows explore monologues and scenework with professional actors, the director-mentors offer feedback, guidance, and support in this process-first environment. The Retreat offers recipients a rare opportunity to consciously encounter and interrogate their own directorial practice, enjoying CMU’s safe, creative environment where they can take risks and experiment free from the pressures of production.
  • TRAVEL/HOUSING: Housing for all participants is provided by Carnegie Mellon University. One round-trip economy airfare, train, car or bus (depending on distance) to Pittsburgh is scheduled and provided by The Drama League from any U.S. Continental city, if the Recipient lives more than 25 miles from the Pittsburgh metropolitan areas. Baggage fees, airport transfers, and in-city transportation are not provided. Travel arrangements are managed by The Drama League.
  • DATES: Late June. 1-2 days in person, occasional virtual planning meetings prior
  • DESCRIPTION: In alternating years, each Fellow joins the artistic team of Red Bull Theater to co-direct the Short New Play Festival of new works, exploring artistic leadership in the context of this award-winning company. Track #1 will complete this experience in the first year of the Fellowship
  • TRAVEL/HOUSING: Travel to/from New York City provided for the rehearsal period (1-2 days). Other work is virtual. In-City Transportation, Baggage Fees, and housing are not provided. Travel arrangements are managed by The Drama League.
  • DATES: June-August. Approximately four weeks, in person.
  • DESCRIPTION: The Fellow joins the artistic department of New York Stage And Film as the Directing Fellow, to participate in their summer new work development activities. The fellow will return the following summer to the same institution, to grow as part of the team and, in the second year, develop a small project of their own as director.
  • TRAVEL/HOUSING: Housing is provided. For NYSAF, one round-trip economy airfare, train, or bus (depending on distance) to airports in the NYC area is provided from any U.S. Continental city, if the Recipient lives more than 25 miles from NYC or Poughkeepsie. In addition for NYSAF, one round-trip train ticket from New York City to Poughkeepsie is provided if necessary. Baggage fees, airport transfers, and in-city transportation are not provided. Travel arrangements are managed by The Drama League.
  • DATES: Late August-Early December (3 1/2 months), in person
  • DESCRIPTION: The Fellow joins the artistic department of Manhattan Theatre Club, and participates as a team member in the effective execution of their seasonal programming. The Fellow will return the following season to the same institution, to grow as part of the team and, in the second year, develop a small private or public reading, workshop, or project of the institution’s choosing, as director. During this time, the Fellows will spend time with the artistic, literary, production, and management teams, learning the interior workings of a modern theater company.
  • TRAVEL/HOUSING: Housing for this engagement is not provided, and will be the responsibility of the Fellow. Regarding travel, one round-trip economy airfare, train, or bus (depending on distance) to airports in the NYC area is provided from any U.S. Continental city, if the Recipient lives more than 25 miles from NYC. Baggage fees, airport transfers, and in-city transportation are not provided. Travel arrangements are managed by The Drama League.
  • DATES: Mid-May. Approximately five days, in person, schedule TBD by The Drama League
  • DESCRIPTION: The Fellows experience another accelerator week of workshops, performances, learning opportunities, and private meetings with prominent artistic leaders, producers, directors, playwrights and other professionals. This culminates in attending The Drama League Awards, where the entire Directors Project cohort is formally introduced to the industry.
  • TRAVEL/HOUSING: One round-trip economy airfare, train, or bus fare (depending on distance) to/from is provided by The Drama League from any U.S. Continental city, if the Recipient lives more than 25 miles from New York City. Baggage fees, airport transfers, and in-city transportation are not provided. Housing provided for directors living more than 25 miles outside of the NYC metropolitan area. Travel arrangements are managed by The Drama League.
  • DATES: Early June. Approximately five days, in person, schedule TBD by The Drama League
  • DESCRIPTION: The Fellows return to Carnegie Mellon University for their second technique-focused, process-led intensive under the mentorship of prominent directors. With a company of professional actors, the Fellows direct scenes and monologues, consciously encountering their own personal directorial practice, while attending seminars, discussions, and accelerating their network development.
  • TRAVEL/HOUSING: Housing for all participants is provided by Carnegie Mellon University. One round-trip economy airfare, train, car or bus (depending on distance) to Pittsburgh is scheduled and provided by The Drama League from any U.S. Continental city, if the Recipient lives more than 25 miles from the Pittsburgh metropolitan areas. Baggage fees, airport transfers, and in-city transportation are not provided. Travel arrangements are managed by The Drama League.
  • DATES: June-August. Approximately four weeks, in person.
  • DESCRIPTION: The Fellow returns to their New Work Engagement home company, supporting the Summer Season as a team member, and developing a small project of their own as director.
  • TRAVEL/HOUSING: Housing is provided. For NYSAF, one round-trip economy airfare, train, or bus (depending on distance) to airports in the NYC area is provided from any U.S. Continental city, if the Recipient lives more than 25 miles from NYC or Poughkeepsie. In addition for NYSAF, one round-trip train ticket from New York City to Poughkeepsie is provided if necessary. Baggage fees, airport transfers, and in-city transportation are not provided. Travel arrangements are managed by The Drama League.
  • DATES: Mid-August – Early November
  • DESCRIPTION: During this time, the Fellow joins the artistic staff of The Playwrights’ Center, observing and participating in the processes of new work development, playwright relationships, community engagement, and more.
  • TRAVEL/HOUSING: Housing for this engagement in Minneapolis/St. Paul is not provided, and will be the responsibility of the Fellow. Regarding travel, one round-trip economy airfare, train, or bus (depending on distance) to airports in the Minneapolis/St. Paul area is provided from any U.S. Continental city, if the Recipient lives more than 25 miles from Minneapolis/St. Paul. Baggage fees, airport transfers, and in-city transportation in Minneapolis/St. Paul are not provided. Travel arrangements are managed by The Drama League.
  • DATES: TBD, sometime between November – April (1-2 weeks approximately, to be determined by Recipient and Company)
  • DESCRIPTION: The Fellows return to their Artistic Engagement home company, to develop a small private or public reading, workshop, or project of the institution’s choosing, as director.
  • TRAVEL/HOUSING: Housing for this engagement is not provided, and will be the responsibility of the Fellow. Regarding travel, one round-trip economy airfare, train, or bus (depending on distance) to airports in the NYC area is provided from any U.S. Continental city, if the Recipient lives more than 25 miles from NYC. Baggage fees, airport transfers, and in-city transportation are not provided. Travel arrangements are managed by The Drama League.
  • DATES: February. approximately 1-2 weeks in person, significant virtual planning prior via Zoom.
  • DESCRIPTION: Both Fellows choose a project of their own to direct, in consultation with The Drama League and a producer, for a professional workshop ending in a public staged reading, attended by industry professionals. The Fellow will have the benefit of professional actors, casting directors, and more. After the presentation, The Drama League Artistic Staff will assist the Fellow in continuing relationships with industry attendees. 
  • TRAVEL/HOUSING: Housing and travel for DirectorFest is not provided, and will be the responsibility of the Fellow.
  • DATES: Mid-May. Approximately five days, in person, schedule TBD by The Drama League
  • DESCRIPTION: All Fellows begin with an intensive accelerator week of workshops, performances, learning opportunities, and private meetings with prominent artistic leaders, producers, directors, playwrights and other professionals. This culminates in attending The Drama League Awards, where the entire Directors Project cohort is formally introduced to the industry.
  • TRAVEL/HOUSING: One round-trip economy airfare, train, or bus fare (depending on distance) to/from is provided by The Drama League from any U.S. Continental city, if the Recipient lives more than 25 miles from New York City. Baggage fees, airport transfers, and in-city transportation are not provided. Housing provided for directors living more than 25 miles outside of the NYC metropolitan area. Travel arrangements are managed by The Drama League.
  • DATES: Early June. Approximately five days, in person, schedule TBD by The Drama League
  • DESCRIPTION: The recipient joins other Directing Fellows, professional actors, and acclaimed director/mentors in Pittsburgh for a technique-focused directing intensive, in residence at Carnegie Mellon University. As the Directing Fellows explore monologues and scenework with professional actors, the director-mentors offer feedback, guidance, and support in this process-first environment. The Retreat offers recipients a rare opportunity to consciously encounter and interrogate their own directorial practice, enjoying CMU’s safe, creative environment where they can take risks and experiment free from the pressures of production.
  • TRAVEL/HOUSING: Housing for all participants is provided by Carnegie Mellon University. One round-trip economy airfare, train, car or bus (depending on distance) to Pittsburgh is scheduled and provided by The Drama League from any U.S. Continental city, if the Recipient lives more than 25 miles from the Pittsburgh metropolitan areas. Baggage fees, airport transfers, and in-city transportation are not provided. Travel arrangements are managed by The Drama League.
  • DATES: June-July. Approximately four weeks, in person.
  • DESCRIPTION: The Fellow join the artistic department of Berkeley Rep to participate in Ground Floor, their summer new work development activities. Each fellow will return the following summer to the same institution, to grow as part of the team and, in the second year, develop a project of their own as director.
  • TRAVEL/HOUSING: Housing at BRT is provided. For this engagement, one round-trip economy airfare, train, or bus (depending on distance) to airports in the Berkeley area is provided from any U.S. Continental city, if the Recipient lives more than 25 miles from Berkeley. Baggage fees, airport transfers, and in-city transportation are not provided. Travel arrangements are managed by The Drama League.
  • DATES: Mid-August – Early November
  • DESCRIPTION: During this time, the Fellow joins the artistic staff of The Playwrights’ Center, observing and participating in the processes of new work development, playwright relationships, community engagement, and more.
  • TRAVEL/HOUSING: Housing for this engagement in Minneapolis/St. Paul is not provided, and will be the responsibility of the Fellow. Regarding travel, one round-trip economy airfare, train, or bus (depending on distance) to airports in the Minneaolis/St. Paul area is provided from any U.S. Continental city, if the Recipient lives more than 25 miles from Minneapolis/St. Paul. Baggage fees, airport transfers, and in-city transportation in Minneapolis/St. Paul are not provided. Travel arrangements are managed by The Drama League.
  • DATES: Late January-Late April
    (three months, in person)
  • DESCRIPTION: The Fellow joins the artistic department of Lincoln Center Theater, and participates as a team member in the effective execution of their seasonal programming. The Fellow will return the following season, to grow as part of the team and, in the second year, develop a small private or public reading, workshop, or project of the institution’s choosing, as director. During this time, the Fellows will spend time with the artistic, literary, production, and management teams, learning the interior workings of a modern theater company.
  • TRAVEL/HOUSING: Housing for this engagement is not provided, and will be the responsibility of the Fellow. Regarding travel, one round-trip economy airfare, train, or bus (depending on distance) to airports in the NYC area is provided from any U.S. Continental city, if the Recipient lives more than 25 miles from NYC. Baggage fees, airport transfers, and in-city transportation are not provided. Travel arrangements are managed by The Drama League.
  • DATES: Mid-May. Approximately five days, in person, schedule TBD by The Drama League
  • DESCRIPTION: The Fellows experience another accelerator week of workshops, performances, learning opportunities, and private meetings with prominent artistic leaders, producers, directors, playwrights and other professionals. This culminates in attending The Drama League Awards, where the entire Directors Project cohort is formally introduced to the industry.
  • TRAVEL/HOUSING: One round-trip economy airfare, train, or bus fare (depending on distance) to/from is provided by The Drama League from any U.S. Continental city, if the Recipient lives more than 25 miles from New York City. Baggage fees, airport transfers, and in-city transportation are not provided. Housing provided for directors living more than 25 miles outside of the NYC metropolitan area. Travel arrangements are managed by The Drama League.
  • DATES: Early June. Approximately five days, in person, schedule TBD by The Drama League
  • DESCRIPTION: The Fellows return to Carnegie Mellon University for their second technique-focused, process-led intensive under the mentorship of prominent directors. With a company of professional actors, the Fellows direct scenes and monologues, consciously encountering their own personal directorial practice, while attending seminars, discussions, and accelerating their network development.
  • TRAVEL/HOUSING: Housing for all participants is provided by Carnegie Mellon University. One round-trip economy airfare, train, car or bus (depending on distance) to Pittsburgh is scheduled and provided by The Drama League from any U.S. Continental city, if the Recipient lives more than 25 miles from the Pittsburgh metropolitan areas. Baggage fees, airport transfers, and in-city transportation are not provided. Travel arrangements are managed by The Drama League.
  • DATES: Late June. 1-2 days in person, occasional virtual planning meetings prior
  • DESCRIPTION: In alternating years, each Fellow joins the artistic team of Red Bull Theater to co-direct the Short New Play Festival of new works, exploring artistic leadership in the context of this award-winning company. Track 2 will complete this experience in the second year of the Fellowship
  • TRAVEL/HOUSING: Travel to/from New York City provided for the rehearsal period (1-2 days). Other work is virtual. In-City Transportation, Baggage Fees, and housing are not provided. Travel arrangements are managed by The Drama League.
  • DATES: June-July. Approximately four weeks, in person.
  • DESCRIPTION: The Fellow returns to their New Work Engagement home company, supporting the Ground Floor as a team member, and developing a small project of their own as director.
  • TRAVEL/HOUSING: Housing at BRT is provided. For this engagement, one round-trip economy airfare, train, or bus (depending on distance) to airports in the Berkeley area is provided from any U.S. Continental city, if the Recipient lives more than 25 miles from Berkeley. Baggage fees, airport transfers, and in-city transportation are not provided. Travel arrangements are managed by The Drama League.
  • DATES: TBD, sometime between September – April (1-2 weeks approximately, to be determined by Recipient and Company)
  • DESCRIPTION: The Fellows return to their Artistic Engagement home company, to develop a small private or public reading, workshop, or project of the institution’s choosing, as director.
  • TRAVEL/HOUSING: Housing for this engagement is not provided, and will be the responsibility of the Fellow. Regarding travel, one round-trip economy airfare, train, or bus (depending on distance) to airports in the NYC area is provided from any U.S. Continental city, if the Recipient lives more than 25 miles from NYC. Baggage fees, airport transfers, and in-city transportation are not provided. Travel arrangements are managed by The Drama League.
  • DATES: February. approximately 1-2 weeks in person, significant virtual planning prior via Zoom.
  • DESCRIPTION: Both Fellows choose a project of their own to direct, in consultation with The Drama League and a producer, for a professional workshop ending in a public staged reading, attended by industry professionals. The Fellow will have the benefit of professional actors, casting directors, and more. After the presentation, The Drama League Artistic Staff will assist the Fellow in continuing relationships with industry attendees. 
  • TRAVEL/HOUSING: Housing and travel for DirectorFest is not provided, and will be the responsibility of the Fellow.
  • The Drama League Stage Directing Fellowships provide a wide range of opportunities for emerging directors, creating multiple inflections into the American theatre landscape from which to build a thriving, successful career.
  • Providing significant financial support, health insurance reimbursement, creative retreats, network acceleration, and substantial experiences inside multiple theater companies, The Drama League Stage Directing Fellowships offer opportunities to observe creative processes, hone directing skills, assist established directors, and direct readings, workshops and projects throughout the two-year experience.
  • Through a partnership between eight internationally-renowned theater institutions, Fellowship recipients are given two full years of rare access to the inner processes of theatre-making. This extended period of support is curated to offer a strong foundation for growth, learning, and mentoring from some of the most visionary leaders in the field.
  • The Stage Directing Fellowships offer an incomparable on-ramp for talented emerging directors to fully participate in the American theatre.
  • NUMBER OF FELLOWSHIPS: Two (2), offered every other year
  • ELIGIBILITY: Before applying, visit the  F.A.Q. page for full eligibility details
  • SCHOLARSHIP PRIZE: $100,000 for each Recipient ($50,000 per year of Fellowship), paid in 24 monthly installments over the course of the Fellowship
  • HEALTH INSURANCE REIMBURSEMENT: Up to $10,000 (up to $5,000 per year of Fellowship)
  • TRAVEL AND HOUSING PROVISIONS: See Timeline
  • OTHER BENEFITS: VIP Pass to all publicly offered Drama League programming during the Fellowship period; access to alumni-focused programs and events; lifetime Drama League Membership
  • LIABILITIES AND INSURANCES: Recipient will not be an employee of TDL or its partners, instead a recipient of an educational program and will be considered as such under insurance policies.
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ABOUT…

The Stage Directing Fellowships are the oldest initiatives of The Drama League Directors Project, launched in 1982. Founded as the Fall Fellowship, and briefly the New York Fellowships (before its expansion to multiple cities), the “SDF,” as it is sometimes referred to, is a foundational immersion into the field and into notions of artistic work, creative careers, and industry advancement. Alumni of the program include Tony Award winners Christopher Ashley, Pam MacKinnon, John Rando, Rebecca Taichman, Alex Timbers, and nominees Mark Brokaw, Anne Kauffman, Lila Neugebauer and Mortiz von Stuelpnagel.

FELLOWSHIP PARTNERS

THE DRAMA LEAGUE
The Drama League is a career accelerator and creative home for those who, in whole or in part, identify as directors — the artists who stand in the center of collective artmaking in theater, film, television, streaming, and all creative industries that utilize live performance. The Drama League offers acclaimed access, training, mentorship and opportunity for these artists and their collaborators.  Launched in 1916, alumni of its programs, collectively known as The Directors Project, create over 1,100 projects each year for audiences around the world, numbering in the tens of millions.  To be a part of supporting future generations of artists, please visit dramaleague.org/membership.
Berkeley Repertory Theatre has grown from a storefront stage in 1968 to an international leader in innovative theatre. Over 5.5 million people have enjoyed nearly 500 shows at Berkeley Rep, which have won six Tony Awards, seven Obie Awards, nine Drama Desk Awards, one Grammy Award, one Pulitzer Prize, and many other honors. Berkeley Rep received the Tony Award for Outstanding Regional Theatre in 1997. To formalize, enhance, and expand the processes by which Berkeley Rep makes theatre, The Ground Floor was launched in 2012. The Berkeley Rep School of Theatre engages and educates 20,000 people a year. Berkeley Rep’s facilities — which include the 400-seat Peet’s Theatre, the 600-seat Roda Theatre, and a campus in West Berkeley — are helping revitalize a renowned city. berkeleyrep.org
LCT’s mission is to bring exceptional theater to life. Building on a legacy of artistic excellence, LCT strives to expand what is possible: to make the magic of theatre more palpable, empowering visionary artists and extending the invitation for the community to join in celebrating the power of live performance. To see that mission to fruition in a new era at the New York institution, commencing with the current 2025-2026 season, Lear deBessonet assumes the role of Kewsong Lee Artistic Director, alongside Managing Director Mike Schleifer, Executive Producer Barlett Sher, Producer Nicole Kastrinos, Executive Director of Development and Planning Naomi Grabel, and LCT3 Artistic Director and Producer Maria Manuela Goyanes. Each year, the three theaters that make up LCT welcome nearly 300,000 audience members to its home on the Lincoln Center campus. Over the last 40 years, LCT and its outstanding productions have received many of the highest accolades, including 87 Tony Awards®, 97 Drama Desk Awards, 79 Outer Critics Circle Awards, 33 Obies, 11 NY Drama Critics Circle Awards, and one Pulitzer Prize, as well as two finalists. lct.org
MTC’s mission, created in 1972 and implemented over five decades of award-winning theatrical productions, is to develop and present new work in a dynamic, supportive environment; to identify and collaborate with the most promising and seasoned artists; and to produce a diverse repertoire of innovative, entertaining, and thought-provoking plays and musicals. Since 1989, MTC Education, which uses the power of live theatre to awaken minds, ignite imaginations, open hearts, and change lives, has also been an important corollary to MTC’s work, reaching thousands each season. MTC has grown from a small off-off-Broadway theatre into one of the country’s most prestigious and award-winning producing companies, creating over 600 world, American, New York and Broadway premieres. MTC productions have earned 7 Pulitzer Prizes, 28 Tony Awards, 50 Drama Desk Awards and 49 Obie Awards. manhattantheatreclub.com
New York Stage and Film is a not-for-profit company dedicated to both emerging and established artists in the development and production of theater and film by creating community, supporting process, and uplifting original artistic voices. The New York Times calls the company a “formidable breeding ground for new work,” and dozens of notable works trace their developmental roots to NYSAF, including Tony Award winners HAMILTON, HADESTOWN, SIDE MAN and THE HUMANS; Broadway productions such as THE NOTEBOOK, AMERICAN IDIOT, JUNK, and BRIGHT STAR; and Pulitzer winners and finalists such as DOUBT, THE WOLVES and Taylor Mac’s A 24-DECADE HISTORY OF POPULAR MUSIC. newyorkstageandfilm.org
Founded in 1971, the Playwrights’ Center today serves more playwrights in more ways than any other organization in the country. One of the nation’s most-respected theater organizations, the Playwrights’ Center focuses on supporting playwrights and promoting new plays at theaters across the country. The Center has helped launch the careers of nationally recognized artists, notably Daniel Alexander Jones, Lee Blessing, Carlyle Brown, Sheila Callaghan, Karl Gadjusek, Marcus Gardley, Idris Goodwin, Sarah Gubbins, Jordan Harrison, Jeffrey Hatcher, Craig Lucas, Martyna Majok, Melanie Marnich, Qui Nguyen, Kira Obolensky, and August Wilson. Work developed through Center programs has been seen on such stages as The Guthrie, Lincoln Center Theater, New York Theater Workshop, Oregon Shakespeare Festival, Steppenwolf, The Public, Woolly Mammoth, and many others. pwcenter.org
Red Bull Theater brings rarely seen classic plays to dynamic new life for contemporary audiences, uniting a respect for tradition with a modern sensibility. Named for the rowdy Jacobean playhouse that illegally performed plays in England during the years of Puritan rule, this bold spirit is central to Red Bull’s identity. Founded in 2003 with a production of Shakespeare’s Pericles, Red Bull Theater has been acclaimed by Time Out New York as “the most exciting classical theater in New York.” Red Bull Theater has produced 25 Off-Broadway productions and over 200 Revelation Readings of rarely seen classics. The company’s unique programming has been recognized with Lortel, Drama Desk, Drama League, Calloway, Off Broadway Alliance, and Obie nominations and awards. redbulltheater.com
For over a century, the Carnegie Mellon University School of Drama has been a leading innovator in theatrical training, consistently producing top talent on stage and behind the scenes. As the first degree-granting drama program in the United States, the School of Drama’s unique blend of rigorous conservatory training within an internationally ranked research university offers students a comprehensive education that integrates artistic mastery with diverse academic experiences. Its commitment to pioneering education and artistic development has earned it a prestigious place among the world’s top drama programs. Carnegie Mellon University is a private, internationally ranked research university with acclaimed programs spanning the sciences, engineering, technology, business, public policy, humanities and the arts. Our diverse community of scholars, researchers, creators and innovators is driven to make real-world impacts that benefit people across the globe. With a bold, interdisciplinary and entrepreneurial approach, we do the work that matters. cmu.edu

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