The 2025-2026 Directors Project
Current Fellowship, Residency, Assistantship, and Exchange Recipients
Every season, from over 1100 applicants worldwide, The Drama League selects exceptional directors to participate in The Directors Project. This suite of Fellowships, Residencies, Assistantships and Exchange Opportunities offers creative opportunities, financial stability, career advancement, and lifelong resources. The current cohort joins over 400 Directors Project alumni who are thriving in Broadway, Hollywood, and various creative industries.
Fellowships
Zoë Adams
Stage Directing Fellow

Bio
ZOË ADAMS (she/her)
Zoë Adams has an eclectic body of work that includes The Christine Jorgensen Show, Wizard of Oz, The Historical Range of Ursus Americanus, Sister Act, Meltdown: A live-action game about Climate Change, In the Name of Us (Best Short Play at DUAF), The Cherry Orchard, Not Clown, Skin Flick City, Stacked at the National Theatre of Croatia, and the immersive supper club Krāv. She is the proud recipient of the 2024-2026 Drama League Stage Directing Fellowship. MFA, Directing, Columbia University; SDC Associate.
Irvin Mason, Jr.
Stage Directing Fellow

Bio
IRVIN MASON JR. (he/him)
Irvin Mason Jr., a St. Thomas, US Virgin Islands native, Irvin is a director, actor, poet, and teaching artist. His work combines expressive movement, live music, emerging technology, and Afro-Caribbean traditions to revitalize live storytelling. Irvin aims to create work that leaves residue — unapologetic theater that dismantles traditional foundations and opens space for new voices to tell their stories. He recently assisted in developing new plays and musicals at the Playwrights’ Center and Berkeley Rep’s Ground Floor. His recent directing credits include: Marcus, or The Secret of Sweet (Brooklyn College, upcoming); The Postman’s Daughter (Forager Theater), Short New Play Festival (Red Bull Theater) Ain’t Misbehavin, Pipeline (Gallery Players); Stuck (Chain Theatre). Associate/Assistant Directing: Co-Founders (ACT, upcoming); Amerikin (Primary Stages); Two Trains Running (The Acting Company); Gin Game (Park Square Theater); Gospel According to Heather (AMAS). Directing Observer: The Wiz (Broadway); Little Shop of Horrors, Rent (MUNY, SDCF); Pup! A Chew Story (NAMT).
Melissa Mowry
Rose Directing Fellow

Bio
MELISSA MOWRY (she/her)
Melissa Mowry Regional: Dracula, a feminist revenge fantasy, really (Director/Virginia Stage Company), How To Bruise Gracefully (Director/Cadence Theatre), Skeleton Crew (Director/Summit Performance Indianapolis); Educational: I Have a Dream (Director/Virginia Repertory Theatre), Lights Out: Nat King Cole (SDCF Observer/Geffen Playhouse), The Sign in Sidney Brustein’s Window (Director/The Juilliard School), Trouble in Mind (Rutgers University, New Brunswick). International/Other: Party Chat (Kervigo Ensemble Theatre/New York), GEN (Kervigo Ensemble Theatre/New York), Lost Sock Laundromat, Astoria, Queens (Wild Project/New York), If Women Rose Rooted (The Tank/New York), (DE)CODED (New York Fringe Festival/New York), The Slave (ASDS Repertory Season/New York), The Audition (ASDS Repertory Season/New York), Proof (ASDS Repertory Season/New York), North of Providence (ASDS Repertory Season/New York). Film/TV: “5iveSenese Short Films” (Director). Awards/Honors: SDCF Observership (2018), Doris Duke Charitable Foundation Equity, Diversity and Inclusion Fellow (2018). SDC Associate Member.
Fran de Leon
FutureNow Directing Fellow

Bio
FRAN DE LEON (she/her)
www.frandeleon.com
@iamfrandeleon
Fran de Leon is a director, writer, actor, and educator born in Downtown L.A., raised in Manila and Hollywood. Selected directing credits: God Will Do the Rest (Artists at Play/LTC at LATC); Into the Woods (Pasadena Playhouse), which garnered the prestigious Regional Theatre Tony Award for the season; Everybody, The 25th Annual Putnam County Spelling Bee (5C Performing Arts); “Sacrifice Zone: Los Angeles” (Natural History Museum). Commissioned work: Lola’s Banig, Valor (Center Theatre Group); Origins (Playwrights’ Arena); Bully (Segerstrom Center). Affiliations: Co-Artistic Director, Will & Company; Core Member, Critical Mass Performance Group; Adjunct Faculty, USC School of Dramatic Arts. Fran is a proud union member of Stage Directors & Choreographers Society, SAG-AFTRA, and Actors’ Equity.
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Yojiro Ichikawa
FutureNow Directing Fellow

Bio
YOJIRO ICHIKAWA (they/them)
Yojiro Ichikawa is an international theatre director, trained at Arts Ed, Drama Centre London, Complicité, NY Theatre Workshop, and Lincoln Center Theater. His credits include Tell Me On A Sunday (New National Theatre Tokyo, Yomiuri Drama Award), The View Upstairs (Nihon Seinenkan Hall Tokyo, Odajima Drama Translation Award), Galaxy Train (The Other Palace UK), Letter from the Sea (Teatr Polski Bydgoszcz Poland & New National Theatre Tokyo), Urinetown (Bridewell Theatre UK), Ordinary Days (The Access Theater NY & Bridewell Theatre), and John & Jen (Yomiuri Otemachi Hall Tokyo). In addition to directing, he has served as the principal puppeteer and Japanese Vocal Consultant for the RSC’s My Neighbour Totoro (Barbican Theatre), as a dramaturg for Your Lie in April (Theatre Royal Drury Lane, Harold Pinter Theatre), as a cultural consultant and performer for Death Note (London Palladium, Lyric Theatre), and as a Japanese Language Consultant for Allegiance (Charing Cross Theatre).
Kevaughn Harvey
FutureNow Directing Fellow

Bio
KEVAUGHN HARVEY (he/him)
Kevaughn Harvey (he/him) is a director, actor, and producer based in NYC and Philadelphia. He has directed new works at New Circle Theater, John Jay College – CUNY, Amios Theater, Philly Artists’ Collective, and Brown/Trinity Rep. Assistant/Associate directing credits include Primary Trust at Roundabout Theatre Company, Radio Golf at Trinity Repertory Co. and All God’s Chillun’ Got Wings (Jack/Civic Ensemble). Kevaughn is a member of the LCT Directors Lab, the Roundabout Directors Group, and Beth Morrison Projects Producers Academy. In addition to his theater work, Kevaughn works in medical education, developing simulation-based courses with physicians to train future doctors on clinical and communication skills. BA: Cornell University. He is a graduate of the Brown University/ Trinity Rep MFA program in Acting and Directing.
Jess McLeod
TV/Film Directing Fellow

Bio
JESS MCLEOD (she/her)
Jess McLeod is a New York-based director and social justice advocate specializing in risky new work about America. Recent work includes On the Evolutionary Function of Shame (2ST); The Miseducation of Lauryn Hill (Little Island); Prepared (EST); SAFE (BAM); The Thanksgiving Play, Venus (Steppenwolf); There’s Always The Hudson (Woolly Mammoth); The Chinese Lady (Alliance); Pride and Prejudice (Long Wharf), Wolf Play, Hang Man (The Gift); Earth To Kenzie (Lyric Opera of Chicago); Marry Me A Little (Porchlight); and Radical (IAMA). Jess was Resident Director of Hamilton Chicago, is currently under commission from La Jolla Playhouse, and has developed work at Roundabout (2023 Refocus Project Curator), MTC, Atlantic, P73, The O’Neill, NAMT, WTF, and her own play The Deciders at The Public/Berkeley Rep. Recent Creatives Rebuild NY grantee (NYCLU) and Co-Chair, with Michael Korie, of DGF’s Musical Theatre Fellows Program. MFA, Northwestern. First Gen Korean-Filipina-Scottish American.
Morgan Green
TV/Film Directing Fellow

Bio
MORGAN GREEN (she/her)
Morgan Green is currently a Co-Artistic Director at the Wilma Theater in Philadelphia, recent recipient of the 2024 Regional Theatre Tony Award, where she recently premiered the Pulitzer Prize winning Fat Ham by James Ijames, Eternal Life Part 1 by Nathan Alan Davis, and School Pictures by Milo Cramer, which went on to Playwrights Horizons in New York and was lauded as best production of 2023 in New York magazine. She was a co-founder of the award-winning theater company New Saloon, best known for Minor Character: Six Translations of Uncle Vanya at the Same Time (The Invisible Dog, The Public Theater, Sharon Playhouse). Other credits include: Staff Meal by Abe Koogler (Playwrights Horizons), The Music Man (The Sharon Playhouse), The Wolves by Sarah DeLappe (Marin Theatre Company), and Cute Activist by Milo Cramer (The Bushwick Starr). Her short film ONE MORE TIME WITH FEELING premiered at the Raindance Film Festival in London, October 2023. Morgan has developed new work at the Lower Manhattan Cultural Council, Bric, Baryshnikov Art Center, Mabou Mines, and Mercury Store. She is a New Georges Affiliated Artist and proud member of SDC.
Assistantships
Catalina Beltrán
Irene Gandy Assistant Director

Bio
CATALIN BELTRÁN (she/her)
Catalina Beltrán is a theatre director from Bogotá, Colombia. Her work has gravitated towards original work, either devised or new plays by young writers. She is drawn to plays that seek to question the possibility of an ethical existence in capitalism and patriarchy. Her work in Colombia touches themes of violence and collective memory. Her U.S. credits as a director include: The Space We Share (People’s Theatre Project & Working Theater), New England Summer Storms, Susana: A Reconstruction, Julius Caesar, Meg (Columbia University), We’re Here (Harrisburg Fringe). Colombia: Death and the Maiden (Bogotá Theatre Festival), El Paso de la Libélua (Young Artists Prize). Training: M.F.A. Theatre Directing at Columbia University ‘24.
Nathaniel P. Claridad
Irene Gandy Assistant Director

Bio
NATHANIEL P. CLARIDAD (he/him)
Nathaniel is an NYC-based actor and Helen Hayes Award nominated director. Recent directing credits: 2024/2025 Musical Theatre Directing Fellowship at City Center in association with The Drama League; and Petite Rouge: A Cajun Red Riding Hood at Imagination Stage (8 Helen Hayes Award nominations including Outstanding Musical Production, and Outstanding Director). Acting credits include Here Lies Love (The Public Theater), Taylor Mac’s 24 Decade History… (St. Ann’s Warehouse), numerous regional and international credits from the Kennedy Center to the Sydney Opera House. Other directing credits include work at Weathervane Theatre, TheaterWorksUSA, Imagination Stage, Southern Rep., Two River Theatre, PlayMakers Repertory Company, Out of the Box Theatrics, the One Minute Play Festival, New York Shakespeare Exchange, Peculiar Works Project, a Drama League Resident in 2019 and 2016, as well as a guest director for New York University, Marymount Manhattan, and the University of Maryland, College Park. MFA: University of North Carolina, Chapel Hill.
Imani Mitchell
Irene Gandy Assistant Director

Bio
IMANI MITCHELL (she/her)
Imani Mitchell is a multidisciplinary artist based in Northern California, specializing in writing, directing, and acting. Over the past decade, she has established herself as a professional actor and theater director. Some of her directing credits include Pipeline by Dominique Morisseau, What To Send Up When It Goes Down by Aleshea Harris, and Crumbs from the Table of Joy by Lynn Nottage. Beyond theater, Imani is a passionate filmmaker who has directed and produced a feature film (Whirlpool) and two short films (“The Second Pill” and “Invisible Man”). Most recently, she wrote and directed the original play Zora & Langston, which was staged at Celebration Arts in Sacramento and later featured in the SheLA Theater Festival in Los Angeles.
Alexis Kulani Woodard
Irene Gandy Assistant Director

Bio
ALEXIS KULANI WOODARD (she/her)
alexiskwoodard.squarespace.com
Alexis Kulani Woodard is a director and adaptor, proud Spelman College Alumna, former Spelman Leadership Fellow at the Alliance Theatre, and current MFA Directing Candidate at the David Geffen School of Drama at Yale. She is a 2024 Princess Grace Award Winner in Theatre. She served as the Co-Artistic Director of The Alliance Theatre’s inaugural 2020-2021 Digital Season. Select Directing Credits include: The Dark Lady (Synchronicity Theatre) Metamorphoses, Measure for Measure (School of Drama at Yale) Four Meddling Kids and One Dumb Dog, Every Brilliant Thing (Yale Cabaret), Hamlet (The Tiny Theater Company, Alliance Theatre: Guest Artist Series) Hands Up: 7 Playwrights, 7 Testaments, Do You Love The Dark? (Alliance Theatre), From the Ashes (Alliance Theatre Anywhere). Select Associate Directing Credits include: The world premiere tri-production of Dream Hou$e (Alliance Theatre, Long Wharf Theater, Baltimore Center Stage). Hands Up: 7 Playwrights, 7 Testaments won a Suzi Bass award in 2022 for outstanding Social Justice production.
Residencies
Aileen Wen McGroddy
Beatrice Terry Director in Residence

Bio
AILEEN WEN MCGRODDY (she/her)
Aileen Wen McGroddy is a Chinese- and Irish-American theatre director. She is a co-artistic director of TUTA Theatre Chicago and Creative Producer for the Writing is Live Festival at Brown University. She has been in Roundabout Directors Group Cohort V, a 2050 Fellow at NYTW, and the BOLD Resident Director at Northern Stage. MFA Directing from Brown-Trinity. Credits include: Akira Kurosawa Explains… (upcoming at Woolly Mammoth Theatre); Attempts on Her Life (TUTA); A Christmas Carol (Trinity Rep); The Chinese Lady (Kitchen Theatre and Geva Theatre Center); Sisters and Sense and Sensibility (Northern Stage); Airness (Breckenridge Backstage Theatre); The Late Wedding, The Dumb Waiter, Summer and Smoke, and The Tempest (Brown-Trinity); Cold War Choir Practice, Throwback Island, On The Y-Axis (Writing is Live); Mr. Burns: A Post-Electric Play (Adelphi). She has directed readings for NYTW, The Bushwick Starr, Clubbed Thumb, NY Classical Theatre, The Yale Drama Prize, and Northern Stage.
Emily Moler
Next Stage Director in Residence

Bio
EMILY MOLER (she/her)
Emily Moler is a multidisciplinary director of theater, film, and voice over performance. Selected theatrical credits include: The Grown-Ups (Baby Teeth), Bitch Boxer (Krank Brooklyn), The Winter Guard Play (Skidmore College), Dance Nation, Nonna Kills the President, Promithes Promithes, Uncle Vanya, As You Like It, Men on Boats, End Days, and Ironbound (UCSD); And We’re Live, and Coffee Break (Actors Theatre of Louisville); Chamber Music, Untitled American Flag Craft Project, and Good Cry (self-produced). She has developed new plays with The New Harmony Project, Actors Theatre of Louisville, The Orchard Project, Chautauqua Theater Company, Ensemble Studio Theatre LA, The Associates Theater Ensemble, Joe’s Pub, Chance Theater, IAMA Theatre Company, SITI Company, The Duplex, The Geffen, The Tank, and Pipeline Theatre Company. B.S Skidmore College. M.F.A UCSD.
Keng S. Meateanuwat
Special Project Residency

Bio
KENG S. MEATEANUWAT (he/they)
Keng (เก่ง สัณหวิชญ์ เมธีอนุวัตร) is a Thai theatre director/writer/translator/storyteller based in NYC and BKK. Recent directing credits include Lungs (LifeStudio Bangkok), KHAM (Crossing) (ART/NY), Lanna Dream (The Den Chicago), The Adventure of Sky and Friends (New Victory Labworks), A Sisyphean Dream (Pan Asian Rep’s Nuwork 2023), and The Revolutionists (Heartland Theatre Company). Assistant directing credits include Transitional Love Stories (TheatreLab NYC), Sanctuary City (Seattle Rep), and Big Hunk O’ Burnin’ Love (Roundabout Theatre Company). Keng’s adaptation, Walk to the Stars, is a semifinalist for the 2024 National Playwrights Conference at the O’Neill. Keng is also Co-Executive Director of Thai Theatre Foundation US. M.F.A. Directing: Illinois State University.
Danica Selem
Special Project Residency

Bio
DANICA SELEM (she/her)
Danica Selem is a Croatian-born, New York-based theater and film director, architect, and educator. She is currently a New York Theatre Workshop 2050 Directing Fellow. She founded Bodies Intersect Buildings, a working group exploring the intersection of architecture, performance art, and ecology, and spent three years as a Visiting Professor at Cornell University’s Department of Architecture where her teaching focused on the social and political aspects of spatial design, and its relationship to theater and performing arts. Her work has been supported by Cornell University, LMCC, Columbia University, NYTW, and shared at venues including Pioneer Works, IPADÉ – A Prelude to the Shed, American Institute of the Architects, Dixon Place, Theater at the 14Y, and The Tank among others. Select credits: Phaedra’s Love (Columbia University), I Saw Your Mama Dancin’ at Claremont Lounge (NYTW – development workshop), Verity Sits In Her Apartment (LimeFest at The Tank), and upcoming La Cocina (New School), and Mad Forest – A Play From Romania (Montclair University). She recently directed two short films: “Parallel,” a sci-fi musical parody that won 1st place at Sci-Fi-London, and “Mothers And Lovers,” a short narrative film starring Esco Jouléy and Or Schraiber, which is currently in post-production scheduled to be finished in March 2025. Danica holds a BA in Architecture and Urban design from the University of Zagreb, an MA in Architecture from Pratt Institute and she just received her MFA in Theater Directing from the Columbia University School of the Arts. She trained with Anne Bogart, Brian Kulick, Katie Mitchell, Saheem Ali, Rachel Chavkin, and Ivo van Hove among others. She is an Associate Member of SDC.
International Directors Exchange
NJ Agwuna

Bio
NJ AGWUNA
NJ Agwuna (United States, she/they)
is a director of stage and screen. She works on a national/international scale exploring classic text, developing new work, and devising theatrical experiences. 2022 recipient of the SCDF Barbara Whitman Award. Selected Credits: OriGen Story by Nina Ki (Clubbed Thumb, WinterWorks), Bulrusher by Eisa Davis & Nat Stookey (Opera Premiere, West Edge Opera), Moulin Rouge (Broadway/Tour Asst. D), Blanks by Gethsemane Herron (Playwrights Center), A Small Light (Disney+,Shadow Director), Love All by Anna Deavere Smith (NY Workshop Assoc. Director), 7 Minutes by Stefano Massini (HERE Arts), boys don’t look at boys by jeremy o’brian (NYSAF), Clyde’s by Lynn Nottage (Assoc. Director, Second Stage), The Magic Flute (Glimmerglass Festival), The Lover by Harold Pinter (DirectorFest 2020), Till: A Musical (won Best Direction), What She Found (won Best Drama; FRIGID). Drama League Alum. Tectonic Theater Project Member. New Georges Jam ‘25. Directing MFA, Columbia University; SDC
Ioseb Bakuradze

Bio
IOSEB BAKURADZE
Ioseb Bakuradze (Georgia, he/him),
a Duruji award winner, is the Artistic Director of The Movement Theatre in Tbilisi, Georgia since 2013, where he’s directed Klainman, abracadabra, Tempest, The story of a murderer, Astigmatists, Divine Comedy, Magic Night, Lisa’s Cake, Christmas Jingles. His work focuses on Drama and Physical Theatre. He’s worked at Shota Rustaveli State Theatre Dinner for Six, Estaphet, At least, Vive la Bouschon. Kote Marjanishvili State Theatre, Festival Poemus, Be Real. Akhaltsikhe (Meskheti) State Theatre Train is coming, and Thirst. Borjomi State Puppet Theatre Mr. Zomer, Jandarme and Julie, Story of Little Io, who saved his village. Valerian Gunia Poti State Theatre The Death of one Anarchist. Batumi Drama Theatre Island. Tbilisi Youth State Theatre Tin Soldier. Bolnisi Theatre Noises Off. Batumi Puppet and Youth State Theatre Wizard of Oz. Series of workshops called “Impro” is held by Ioseb Bakuradze in several cities around Europe. Collaborations as director and author of plays with Company E from New York, Andersen theatre from Lublin (Poland) and Theatre ensemble “Die Gastë (Germany).
Uršulė Barto

Bio
URŠULĖ BARTO
Uršulė Barto (Lithuania, she/her)
is a Lithuanian theatre director. She earned a BA (2018) and MA (2020) in theatre directing from the Lithuanian Academy of Music and Theatre. Barto has worked as a freelance and in-house director at theaters like Berliner Ensemble, Reykjavík City Theatre, Lithuanian National Drama Theatre, Lesya Ukrainka National Academic Drama Theatre amongst others. In 2023, her production of Macbeth was nominated in five categories at the Icelandic Theatre Awards. In 2021, she was awarded with the “Young Artist Prize” by the Ministry of Culture of Lithuania. Barto’s works examine female identity in the context of a shifting, (post) patriarchal society, with a focus on themes of family, kinship, and transgenerational inheritance and dynamics. Her repertoire includes deconstruction of classical texts from playwrights like Shakespeare and Ibsen as well as engaging with contemporary voices such as Alice Birch and Maja Pelević.
Maksima Boeva

Bio
MAKSIMA BOEVA
Maksima Boeva (Bulgaria, she/her)
is a theater director based in Bulgaria. Since graduating NATFA “Krastio Sarafov” in 2017, she has been working in both independent and state-funded theater companies in different Bulgarian cities like Sofia, Varna, Pleven and others. Maksima’s work includes projects based on critically acclaimed plays as well as non-theatrical texts, documentary theatre and puppetry. She’s now pursuing her master’s in Puppetry Theatre Directing. Her shows have received awards and nominations like the Icarus nomination in the Debut category and the Slavi Shkarov award for young director. Some recent works of hers include Mary Jane by Amy Herzog in 199 Theater, Sofia; and The Shape Of Things by Neil Labute in Stoyan Bachvarov Theater, Varna; and Pyjama for 6 in Lyubomir Kabakchiev Theater, Kazanlak. She’s preparing a show on New World Order – 5 short plays by Harold Pinter in I Am Studio, Sofia. She’s currently a resident director in the “Lyubomir Kabakchiev” Theater in Kazanlak and an artistic manager in a new cultural centre in Sofia ( “Entrance B”) that is set to open its doors at the end of May 2025.
Natalie Ester

Bio
NATALIE ESTER
Natalie Ester (Romania, she/her)
to make it as short as I can, I’ve spent 27 years out of 45 in the theatre world of Romania. Even so, I believe that no amount of time consumed while performing arts could objectively define an artist, their potential, their talent or their state of being known or appreciated. We all live in a world where notable achievements are sometimes playing an important part in both self-awareness or general recognition and they can easily become a visiting card. From this perspective, I have managed to gather a few official titles, Best Actress Awards and other diplomas which are supposed to certify a form of success in the course of my career (as an actress, writer, teacher or director) but, in my belief, they don’t. The argument which stands behind this statement is the fact that we are all living the moment and what truly matters is “here & now”. I shall do my very best in my attempt to offer a positive contribution during our future meetings. As for my past experiences which might have led to the present, I will mention over twenty leading roles on the stage, involvement in television, radio, film, scriptwriting, five theatre plays I have written and directed myself and at least, but not at last, 25 years of pedagogical experience with scholars and students. Here are some titles of the projects I have written and directed myself: “Why you?” (the play is being performed for the past twenty years)/ “The Flood”/ “There’s Room Enough For Everyone Under The Sun”/”Curriculum Vitae”/ “The Pink Glasses Effect”/ “Europe, Between Word and Gesture”/ “Purim 5777”/ “Yiddish Trotter”
Dima Levytskyi

Bio
DIMA LEVYTSKYI
Dima Levytskyi (Ukraine, he/him)
is a director and playwright. He travels at the interfaces between theater and audiovisual art. He is particularly interested in audio walks and interventions in urban space. He is a founding member of the Miskyi Theater in Kyiv, which has set itself the task of looking at urban spaces artistically and transforming them into stages. A founding member of Kyiv’s Theater of Playwrights, but has chosen to concentrate now on directing. As a writer he was a prize-winner at Kyiv’s Week of Contemporary Plays, and other festivals.
Gwynn MacDonald

Bio
GWYNN MACDONALD
Gwynn MacDonald (USA, she/her)
has directed and produced for theater, TV, film and radio, receiving cable Ace and Emmy nominations, and Radio’s Gracie Award. She is a member of Juilliard alumni-founded Juggernaut Theatre, League of Professional Theatre Women, Lincoln Center Theater Directors Lab, Drama League Directors Council, and Society of Directors and Choreographers. Recent/current projects include: a workshop of Leigh Bienen’s play DINNER at the Chicago Arts Club; Oprak’s There Will Be Cake! mono-operas set in a NYC bar; a workshop of Amy Freed’s Taming of the Shrew co-produced by The Public Theater and Play On! Shakespeare; The Monument by Randall David Cook and Cheryl Davis (New Harmony Project, Orchard Project Perf Lab, and OP Forward); E+T by James Magruder, a romcom about an inter-abled couple; and Siachen, a new play by Aditya Rawal in residency at Baruch Performing Arts Center. International play development includes works from Eastern Europe, U.K., Argentina, India, and Israel. International directing includes American plays in Cuba and Bogotá. She studied theatre and film at Princeton, is a Drama League Fellow, and a graduate of Columbia University’s Arts Leadership Institute. Gwynn is co-editor of the online journal Women in Theatre and an advocate for Disability Arts and obstacle-free inclusion.
Stefan Prohorov

Bio
STEFAN PROHOROV
Stefan Prohorov (Bulgaria, he/him)
is a Bulgarian stage director and playwright, working mostly in the fields of theatre and performance art. His work focuses on an interdisciplinary approach towards socially relevant subjects, as well as cross-cultural experiments in the field of classical theatre. He is also experienced as a cultural manager, having worked as a programmer for the largest arthouse cinema in Sofia and also on the Executive Board of the Association of Independent theatre in Bulgaria. In 2021, together with Ketty Marinova, he co-founded “Force Majeure”, a production house for all forms of contemporary art. Stefan is also a dedicated wine-enlightener. His company “Na po vino” specializes in the popularization of Bulgarian wine via articles, tastings, and various services. Stefan is also a co-host of a podcast dedicated to links between wine and culture.
Agnė Pulokaitė

Bio
AGNĖ PULOKAITĖ
Agnė Pulokaitė (Lithuania, she/her), a graduate in literature and intermedial studies, has been working in the field of performing arts for over a decade. With previous experience in digital archives, film translation and secondary school teaching, she gradually shaped her professional path in dramaturgy, education, visual and object theatre. Since 2018, she has been curating the Contemporary dramaturgy festival Versme at the Lithuanian National Drama Theatre, where she is also responsible for the dramaturgy residencies. She is a member of the artistic board at the International Puppet Theatre Festival Materia Magica in Klaipėda (Lithuania) and the creative producer at Klaipeda Puppet Theatre.
Lisa Rothe

Bio
LISA ROTHE
Lisa Rothe (United States, she/her) is a New York based theater director, acting coach, and intuitive healer. Some favorite directing work includes: Penelope (The Pear Theatre), Steel Magnolias (Guthrie Theatre); Fun Home and Cat on a Hot Tin Roof (Kansas City Repertory Theater), Indecent (Chautauqua Theatre); Another Revolution (GulfShore Playhouse); Shared Sentences (Houses on the Moon); Audio play: Pericles (Next Chapter Podcasts); Drama League nominated Belly of the Beast by Margaret Vandenburg (TodayTix, NYTW & 3AD/Daniel Dae Kim); The Names We Gave Him by Ellen McLaughlin & composer Peter Foley; Award Winning Hold These Truths by Jeanne Sakata; productions at Cincinnati Playhouse, Theatreworks Silicon Valley, Two River Theater, People’s Light, Playmakers Repertory Theatre, Indiana Repertory Theatre, Irish Repertory Theatre, and more, including a slew of educational productions including The Juilliard School, NYU Graduate Acting, Yale School of Drama, Northwestern University, Barnard College, Queens College, Marymount Manhattan College, Bard College, and more. Lisa is currently on faculty at Columbia University and Binghamton University. Previous: Director of New Works at Kansas City Repertory Theatre; Director of Global Exchange at The Lark; co-Artistic Director of The Actor’s Center; co-President of the League of Professional Theatre Women; Drama League and Fox Fellow alum.
Mei Ann Teo

Bio
MEI ANN TEO
Mei Ann Teo (United States, they/them) is a queer immigrant from Singapore making theatre & film at the intersection of artistic/civic/contemplative practice. As a director/devisor/dramaturg, they create across genres, including music theatre, intermedial participatory work, reimagining classics, and documentary theatre. Teo works internationally, including premiering works at Belgium’s Festival de Liege, Edinburgh International Fringe, Beijing International Festival (Top 8 of Fest in Beijing News), and Singapore Theatre Festival. They helmed Dim Sum Warriors the Musical by Colin Goh and Yen Yen Woo, composed by Pulitzer Prize winner Du Yun for a national China twenty-five city tour. They have directed and/or developed new work nationally including at the Oregon Shakespeare Festival, Theatreworks Hartford, Playwrights Realm, Goodman Theatre, Public Theater, Seattle Rep, Berkeley Rep, Crowded Fire, Page 73, Philadelphia Theatre Company, and the National Black Theatre. Teo received the League of Professional Theatre Women’s Josephine Abady Award, the inaugural Lily Fan Director Lilly Award, and has formerly served in artistic leadership as the Artistic Director of Musical Theatre Factory and the Associate Artistic Director and Director of New Work at Oregon Shakespeare Festival. They are currently an artistic leader at Ping Chong and Company.
Gosia Wdowik

Bio
GOSIA WDOWIK
Gosia Wdowik (Warsaw, Poland/Amsterdam, Netherlands, she/her) is a theatre maker based in Warsaw and Amsterdam. She studied theatre directing at the Theater Academy in Warsaw and she graduated from the DAS Theater in Amsterdam. She is president of the Union of Polish Theater Directors. In Germany, she created works like you lived here with Tamara Antonijevic in Mosenturm in Frankfurt. She collaborates with K.A.U kollective; together they created Transit Monumental at SpielArt Festival in Munich and Fiasko for Staadtheater in Darmstadt. Girls and Football Players, produced in TR Warsaw, deals with the topic of the emancipation of the body. In Fear (TR Warsaw), Anger (Powszechny Theater), and Shame (Nowy Theater), she was working with ideas of affection and emotions on stage. Recently, in She was a friend of someone else (CAMPO, Nowy Theater), she worked on the topic of burnout, implementing methods from activism into her artistic practice.