HANGAR RESIDENCY PROGRAM
| THE HANGAR THEATRE RESIDENCY PROGRAM IS AN INTENSIVE PRACTICUM IN THE ARTISTIC LIFE OF A REGIONAL THEATRE — FELLOWS EXPERIENCE DAILY LIFE AS BOTH A WORKING DIRECTOR AND AS AN ARTISTIC LEADER.
CLICK HERE FOR MORE INFORMATION.
MUSICAL DIRECTING PROGRAM
| THE MUSICAL DIRECTING PROGRAM IS A TWO-MONTH IMMERSION IN THE ART AND CRAFT OF DEVELOPING AND DIRECTING NEW WORKS FOR THE MUSICAL THEATRE.
CLICK HERE FOR MORE INFORMATION.
NEW YORK FALL DIRECTING PROGRAM
| THE NEW YORK FALL DIRECTING PROGRAM IS DESIGNED TO IMMERSE FOUR FELLOWS IN THE MYRIAD DIRECTING OPPORTUNITIES AVAILABLE IN THE PROFESSIONAL THEATRE — BOTH REGIONALLY AND IN NEW YORK.
CLICK HERE FOR MORE INFORMATION.
NEW DIRECTORS/NEW WORKS
| THE NEW DIRECTORS/NEW WORKS PROGRAM IS DESIGNED TO SUPPORT THE DEVELOPMENT OF NEW THEATRE WORKS WITH THE DISTINCT VISION OF COMMITTED THEATRE DIRECTORS AND THEIR COLLABORATORS.
CLICK HERE FOR MORE INFORMATION.
ASSISTANT DIRECTORS PROGRAM
| THE DRAMA LEAGUE ASSISTANT DIRECTORS PROGRAM IS ON HIATUS FOR 2011. CHECK BACK FOR MORE INFORMATION.
INTERNSHIPS
| THE DRAMA LEAGUE DIRECTORS PROJECT INTERNSHIPS ARE AVAILABLE THROUGHOUT THE YEAR. PLEASE E-MAIL DIRECTORSPROJECT@DRAMALEAGUE.ORG FOR MORE INFORMATION.
~ Jerry Zaks, Drama League National Advisory Board
Tony Award® winner, Best Direction of a Musical for Guys and Dolls
Tony Award® winner, Best Direction of a Play for Six Degrees of Separation, Lend Me a Tenor, The House of Blue Leaves
“What is unique about the Directors Project is not the observing, the hanging around, the meet and greeting that goes one: these young directors are actually given a show to direct. The Directors Project addresses the American theatre’s biggest need: talented, intelligent, versatile directors. And if no Kazan has emerged from the program yet, what has emerged is even more impressive: a large group of talented, intelligent, versatile directors who work all the time.”
~ Andre Bishop, Drama League National Advisory Board
Artistic Director, Lincoln Center
“The Directors Project continues to provide the important final step in a young director’s entrance into the theatre profession. Not only does the Project involve the directors with the best work being done nationwide, it also hands them the reins of their own workshop production, work that will be evaluated by members of the New York theatre community.”
~ Daniel Sullivan
Tony Award® winner, Best Direction of a Play, Proof
Tony Award® nominee for Rabbit Hole, Morning’s at Seven, The Sisters Rosenweig, Conversations With My Father, The Heidi Chronicles
